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Brookes, Anne (2000) Richard Symonds in Rome, 1649-1651. PhD thesis, University of Nottingham.

Brookes, James (2020) Picturing the Civil War: visual culture of the rank and file. PhD thesis, University of Nottingham.

Bulloch, Ellie (2023) Artist, detective, criminal: Sophie Calle as haunting flâneur in urban spaces. MRes thesis, University of Nottingham.

Burns, Emily (2019) Painting, patronage and collecting in England during the Civil Wars and Interregnum, c.1640-1660. PhD thesis, University of Nottingham.

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Chow, Mei Fung (2019) Nurturing artistic creativity among Chinese female adolescents in Hong Kong: a qualitative study. EdD thesis, University of Nottingham.

Couldridge, Cailean (2016) British artists in restoration France: practices, presence and perceptions, 1814-1830. MRes thesis, University of Nottingham.

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Danckaert, Marie Sophie (2024) Anti-museums and collecting as a subjective act. MRes thesis, University of Nottingham.

Doniak, Katherine M. (2019) Feed your head: conceptual art and the American counterculture. PhD thesis, University of Nottingham.

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Ford, James (2016) The art of union and disunion in the Houses of Parliament, 1834-1928. PhD thesis, University of Nottingham.

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Gladston, Paul (2004) Art history after deconstruction: is there any future for a deconstructive attention to art historical discourse? PhD thesis, University of Nottingham.

Greer, Elena J. (2017) Sir Frederic William Burton and the Rosebery Minute: the directorship of the National Gallery, London, in the late nineteenth century. PhD thesis, University of Nottingham.

Gubbins, Pete (2016) Constructivism to minimal art: from revolution via evolution. PhD thesis, University of Nottingham.

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Holloway, Johan (2024) Public art and fictional works: simultaneously commemorating fiction and reality. MRes thesis, University of Nottingham.

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Jacobs, Rachel (2014) The artists’ footprint: investigating the distinct contributions of artists engaging the public with climate data. PhD thesis, University of Nottingham.

Jones, Evan (2019) The photocopier: re-evaluating the substance of a heterogeneous technology. PhD thesis, University of Nottingham.

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Kasuga, Ayuka (2013) Views of smoke in England, 1800-1830. PhD thesis, University of Nottingham.

Kill, Cassandra M B (2024) The hospitable institution? Researching participation in a gallery youth collective. PhD thesis, University of Nottingham.

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Parrish, Amy (2020) Fall from grace: the reception of Guido Reni in Britain from the seventeenth to the nineteenth century. PhD thesis, University of Nottingham.

Pittwood, Linda Jean (2019) Inscribing women onto bodies: an encounter with performance, photography and video art from Beijing and Shanghai 1999-2016. PhD thesis, University of Nottingham.

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Reynaga, Tahia Thaddeus (2004) The elusive and yet irrepressible modernist self: formulating a theory of self-reflexivity in Kurt Schwitters' Hanover Merzbau through the vitalist philosphies of Georg Simmel and Henri Bergson. PhD thesis, University of Nottingham.

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Sabin, Kellie (2023) Becoming someone: Paula Modersohn-Becker, the city and the construction of self. MRes thesis, University of Nottingham.

Sim, Nicola (2018) “Like oil and water”? Partnerships between visual art institutions and youth organisations. PhD thesis, University of Nottingham.

Stickley, Theodore (2008) Promoting mental health through an inner city community arts programme: a narrative inquiry. PhD thesis, University of Nottingham.

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Walton, David Edward / DE (2024) Splendours of the Sun King: the construction of Louis XIV's glory in the visual arts. MRes thesis, University of Nottingham.

Ward, Christopher (2017) Cultural depictions of the European fallow deer (Dama dama) 6000 BCE to 1600 CE. PhD thesis, University of Nottingham.

Williams, Harriet Grace (2020) 'Une chaîne invisible’: contemporary artistes, feminist self-representation, and the work of Annie Ernaux. MRes thesis, University of Nottingham.

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Zouzoula, Evgenia (2007) The fantastic creatures of Bronze age Crete. PhD thesis, University of Nottingham.