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Beestone, Kelly (2018) Charting American Habitus: an analysis of ‘middlebrow’ fiction and its readership through the prism of Donna Tartt’s published novels. MRes thesis, University of Nottingham.

Bradshaw-Hughes, Matthew (2020) 'Got my own world to live through': race and categorisation in Jimi Hendrix's music. MRes thesis, University of Nottingham.

Dixon, Alexandra Elizabeth (2017) “Get into the movies!”: the theme park’s relationship with post-classical Cinema. MRes thesis, University of Nottingham.

Dyer-Johnson, Omara Samirah (2022) Imagining a Better World: Black Futurity in Contemporary Afrofuturism and Speculative Fiction. PhD thesis, University of Nottingham.

Griffiths, Eleanor (2020) Holler-ing Back: Cultural (mis)representations of Appalachia in the Shadow of 2016. MRes thesis, University of Nottingham.

Knight, James (2021) The trap game: neoliberal governmentalities and the origins of Southern hip-hop. MRes thesis, University of Nottingham.

Menzel, Sarah (2018) The politics of cultural appropriation in the contemporary USA. MRes thesis, University of Nottingham.

Pickering, Joshua Osoro (2019) East Ends: race, place and community in the story of the emergence of Grime music. MRes thesis, University of Nottingham.

Platts, Helen (2019) American nature writing, c. 1985 - 2017: the influences and limits of deep ecology. MRes thesis, University of Nottingham.

Stafford, T. A. (2023) Negotiating Nashville’s Norms: Women’s Place in Post-9/11 Country Music. MRes thesis, University of Nottingham.

Strongman, Alexander (2021) ‘How long do you think tt’s gonna ast?': the Velvet Underground, The Doors, Bob Dylan and the 1960s rock counterculture. MRes thesis, University of Nottingham.