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2023

Stafford, T. A. (2023) Negotiating Nashville’s Norms: Women’s Place in Post-9/11 Country Music. MRes thesis, University of Nottingham.

2022

Dyer-Johnson, Omara Samirah (2022) Imagining a Better World: Black Futurity in Contemporary Afrofuturism and Speculative Fiction. PhD thesis, University of Nottingham.

2021

Knight, James (2021) The trap game: neoliberal governmentalities and the origins of Southern hip-hop. MRes thesis, University of Nottingham.

Strongman, Alexander (2021) ‘How long do you think tt’s gonna ast?': the Velvet Underground, The Doors, Bob Dylan and the 1960s rock counterculture. MRes thesis, University of Nottingham.

2020

Bradshaw-Hughes, Matthew (2020) 'Got my own world to live through': race and categorisation in Jimi Hendrix's music. MRes thesis, University of Nottingham.

Griffiths, Eleanor (2020) Holler-ing Back: Cultural (mis)representations of Appalachia in the Shadow of 2016. MRes thesis, University of Nottingham.

2019

Pickering, Joshua Osoro (2019) East Ends: race, place and community in the story of the emergence of Grime music. MRes thesis, University of Nottingham.

Platts, Helen (2019) American nature writing, c. 1985 - 2017: the influences and limits of deep ecology. MRes thesis, University of Nottingham.

2018

Beestone, Kelly (2018) Charting American Habitus: an analysis of ‘middlebrow’ fiction and its readership through the prism of Donna Tartt’s published novels. MRes thesis, University of Nottingham.

Menzel, Sarah (2018) The politics of cultural appropriation in the contemporary USA. MRes thesis, University of Nottingham.

2017

Dixon, Alexandra Elizabeth (2017) “Get into the movies!”: the theme park’s relationship with post-classical Cinema. MRes thesis, University of Nottingham.