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Jump to: A | B | C | D | G | H | L | M | N | P | R | S | T | W | Đ
Number of items at this level: 33.

A

Ahn, SooJeong (2008) The Pusan International Film Festival 1996-2005: South Korean cinema in local, regional, and global context. PhD thesis, University of Nottingham.

Ai, Qi (2020) Feng Xiaogang’s New Year celebration films and contemporary Chinese commercial cinema: industry, regulatory authority and pop culture. PhD thesis, University of Nottingham.

B

Bae, Juyeon (2016) The representation of Asian others in Korean cinema since 2003: multiculturalism, nationalism and sub-imperialism. PhD thesis, University of Nottingham.

Baron, Guy (2009) From the modern to the postmodern: gender in Cuban cinema, 1974-1990. PhD thesis, University of Nottingham.

Bound, Keith (2016) 'Terror & tension' psychophysiological suspense: defining a framework to measure cinematic suspense in 21st century horror films. PhD thesis, University of Nottingham.

Brookes, Ian (2002) Coming home: veteran readjustment, postwar conformity and American film narratives, 1945-1948. PhD thesis, University of Nottingham.

Burton, James Amos (2008) Film, history and cultural memory: cinematic representations of Vietnam-era America during the culture wars, 1987-1995. PhD thesis, University of Nottingham.

C

Cerski, Helena (2017) The best seat in the house: investigating the emergence of livecasting in the UK. MRes thesis, University of Nottingham.

Chan, Felicia (2007) In Search of a Comparative Poetics: Cultural Translatability in Transnational Chinese Cinemas. PhD thesis, University of Nottingham.

D

Dixon, Alexandra Elizabeth (2017) “Get into the movies!”: the theme park’s relationship with post-classical Cinema. MRes thesis, University of Nottingham.

G

Geraghty, Lincoln (2005) Living with Star trek: utopia, community, self-improvement and the Star trek universe. PhD thesis, University of Nottingham.

Green, Laura (2020) Gender diversity in the UK film music industry. MA(Res) thesis, University of Nottingham.

Gregson, Julie (2002) Engendering the GDR: DEFA cinema 1956-1966. PhD thesis, University of Nottingham.

Greig, Donald (2019) Voices Appeared: Carl Theodor Dreyer’s La Passion de Jeanne d’Arc and early fifteenth-century music: live music, silent film and vocal performance practices. PhD thesis, University of Nottingham.

Gu, Zhun (2019) The construction of nostalgia in screen media in the context of postsocialist China. PhD thesis, University of Nottingham.

H

Hinchliffe, Alexander (2010) Contamination and containment: representing the pathologised other in 1950s American cinema. PhD thesis, University of Nottingham.

L

Lin, Tian-Ze (2019) Memories of the future: reception studies on Chinese science-fiction cinema, 1979-2016. MRes thesis, University of Nottingham.

Lin, Yu-Peng (2019) The hidden cinema history: informal distribution of art cinema in Taiwan, 1986-2016. PhD thesis, University of Nottingham.

M

MacDonald, Alex (2002) Submarine films as narratives of masculinity. PhD thesis, University of Nottingham.

McKenna, Anthony T. (2008) Joseph E. Levine: showmanship, reputation and industrial practice 1945-1977. PhD thesis, University of Nottingham.

N

Newsinger, Jack (2010) From the grassroots: regional film policy and practice in England. PhD thesis, University of Nottingham.

P

Parsons, Martin John Anthony (2013) Reading the razor blade: the problematic reception of contemporary French extreme cinema. MA(Res) thesis, University of Nottingham.

Pugsley, Bronwen E. (2012) Challenging perspectives: documentary practices in films by women from Francophone Africa. PhD thesis, University of Nottingham.

R

Rahmat, Ahmad Fuad (2020) Neither here nor there: the uneven modernisation of Malay masculinity. PhD thesis, University of Nottingham.

S

Smith, Will (2007) Re-placing regionalisms: Atlantic Canada in 21st century narratives. MRes thesis, University of Nottingham.

Sonnet, Esther (1993) The politics of representation : modernism, feminism, postmodernism. PhD thesis, University of Nottingham.

Styliari, Tatiana Charikleia (2019) Digital identity at the movies: understanding and designing the contemporary cinema-going experience. PhD thesis, University of Nottingham.

Sun, Yi (2017) Producing Hong Kong film genres for global consumption: Milkyway Image, 1996 to the present. PhD thesis, University of Nottingham.

T

Todd, Laura J. (2016) Youth film in Russia and Serbia since the 1990s. PhD thesis, University of Nottingham.

Triquell, Ximena (2000) Projecting history: a socio-semiotic approach to the representations of the military dictatorship (1976-1983) in the cinematic discourses of Argentine democracy. PhD thesis, University of Nottingham.

W

Walsh, John (2005) A Space and Time Machine: Actuality Cinema in New York City, 1890s to c. 1905. PhD thesis, University of Nottingham.

Willis, Andrew (2007) 'Violent exchanges : genre, national cinemas and the politics of popular films': case studies in Spanish horror and American martial arts cinema. PhD thesis, University of Nottingham.

Đ

Đurović, Jovana (2020) The making of the youth: coming of age in Yugoslav cinema. PhD thesis, University of Nottingham.

This list was generated on Fri Dec 4 18:25:42 2020 UTC.