Number of items at this level: 49.
2024
Cowling, Ollie
(2024)
Queer coding in the Disney renaissance: locating queerness in Disney animated musicals and their remakes.
MRes thesis, University of Nottingham.
Jenkinson, Jade
(2024)
Educational Gothic: Interrogating Violent Educations in
Australian, Canadian and United States Fictions 1960-present.
PhD thesis, University of Nottingham.
Kim, Jiyoung
(2024)
The cinematic Boston: space, production, and politics.
PhD thesis, University of Nottingham.
Papathanasiou, Konstantinos
(2024)
Spielberg and Kahn: film editing and narrative control through creative collaboration.
PhD thesis, University of Nottingham.
Suwarto, Dyna
(2024)
Developing local film production in Indonesia: tactical hustling among Yogyakarta film practitioners, 2000-2019.
PhD thesis, University of Nottingham.
Zhang, Ning
(2024)
Leslie Cheung in mainland China: cross-border circulation, fan participation, and cultural memory.
PhD thesis, University of Nottingham.
2023
Fletcher, Bethan
(2023)
Stripping on Screen: An Exploration of Female Exploitation in Paul Verhoeven’s Showgirls (1995).
MRes thesis, University of Nottingham.
Leveridge, Francesca
(2023)
Subtitling Francophone World Cinema: Narratives of Identity, Alterity and Power in Audiovisual Translation.
PhD thesis, University of Nottingham.
2022
ALAMRI, MUSAB
(2022)
The Development of the Film Industry in Saudi Arabia 2005–2020.
PhD thesis, University of Nottingham.
Xie, Heshen
(2022)
Homonormativity, queer capital and the Hong Kong Lesbian and Gay Film Festival.
PhD thesis, University of Nottingham.
2021
Esteban, Anthony
(2021)
Dubbing Star Wars: a journey to bridge the uncanny valley.
PhD thesis, University of Nottingham.
Stenson, Robert
(2021)
‘TUNE IN/JOIN US': Mobilising Liveness as a Promotional Strategy in Film Trailer Exhibition.
PhD thesis, University of Nottingham.
Wang, Siqi
(2021)
Monga: anatomy of a movie blockbuster made in Taiwan.
PhD thesis, University of Nottingham.
2020
Ai, Qi
(2020)
Feng Xiaogang’s New Year celebration films and contemporary Chinese commercial cinema: industry, regulatory authority and pop culture.
PhD thesis, University of Nottingham.
Green, Laura
(2020)
Gender diversity in the UK film music industry.
MA(Res) thesis, University of Nottingham.
Muir, Robyn
(2020)
And they all lived happily ever after? A critical analysis of the Disney princess phenomenon.
PhD thesis, University of Nottingham.
Rahmat, Ahmad Fuad
(2020)
Neither here nor there: the uneven modernisation of Malay masculinity.
PhD thesis, University of Nottingham.
Ramchurn, Richard
(2020)
Brain-controlled cinematic interactions.
PhD thesis, University of Nottingham.
Đurović, Jovana
(2020)
The making of the youth: coming of age in Yugoslav cinema.
PhD thesis, University of Nottingham.
2019
Greig, Donald
(2019)
Voices Appeared: Carl Theodor Dreyer’s La Passion de Jeanne d’Arc and early fifteenth-century music: live music, silent film and vocal performance practices.
PhD thesis, University of Nottingham.
Gu, Zhun
(2019)
The construction of nostalgia in screen media in the context of postsocialist China.
PhD thesis, University of Nottingham.
Lin, Tian-Ze
(2019)
Memories of the future: reception studies on Chinese science-fiction cinema, 1979-2016.
MRes thesis, University of Nottingham.
Lin, Yu-Peng
(2019)
The hidden cinema history: informal distribution of art cinema in Taiwan, 1986-2016.
PhD thesis, University of Nottingham.
Styliari, Tatiana Charikleia
(2019)
Digital identity at the movies: understanding and designing the contemporary cinema-going experience.
PhD thesis, University of Nottingham.
2017
Cerski, Helena
(2017)
The best seat in the house: investigating the emergence of livecasting in the UK.
MRes thesis, University of Nottingham.
Dixon, Alexandra Elizabeth
(2017)
“Get into the movies!”: the theme park’s relationship with post-classical Cinema.
MRes thesis, University of Nottingham.
Sun, Yi
(2017)
Producing Hong Kong film genres for global consumption: Milkyway Image, 1996 to the present.
PhD thesis, University of Nottingham.
2016
Bae, Juyeon
(2016)
The representation of Asian others in Korean cinema since 2003: multiculturalism, nationalism and sub-imperialism.
PhD thesis, University of Nottingham.
Barradas Jorge, Nuno
(2016)
Pedro Costa: producing and consuming contemporary art cinema.
PhD thesis, University of Nottingham.
Bound, Keith
(2016)
'Terror & tension' psychophysiological suspense: defining a framework to measure cinematic suspense in 21st century horror films.
PhD thesis, University of Nottingham.
Todd, Laura J.
(2016)
Youth film in Russia and Serbia since the 1990s.
PhD thesis, University of Nottingham.
2013
Parsons, Martin John Anthony
(2013)
Reading the razor blade: the problematic reception of contemporary French extreme cinema.
MA(Res) thesis, University of Nottingham.
2012
Pugsley, Bronwen E.
(2012)
Challenging perspectives: documentary practices in films by women from Francophone Africa.
PhD thesis, University of Nottingham.
2010
Hinchliffe, Alexander
(2010)
Contamination and containment: representing the pathologised other in 1950s American cinema.
PhD thesis, University of Nottingham.
Newsinger, Jack
(2010)
From the grassroots: regional film policy and practice in England.
PhD thesis, University of Nottingham.
2009
Baron, Guy
(2009)
From the modern to the postmodern: gender in Cuban cinema, 1974-1990.
PhD thesis, University of Nottingham.
2008
Ahn, SooJeong
(2008)
The Pusan International Film Festival 1996-2005: South Korean cinema in local, regional, and global context.
PhD thesis, University of Nottingham.
Burton, James Amos
(2008)
Film, history and cultural memory: cinematic representations of Vietnam-era America during the culture wars, 1987-1995.
PhD thesis, University of Nottingham.
McKenna, Anthony T.
(2008)
Joseph E. Levine: showmanship, reputation and industrial practice 1945-1977.
PhD thesis, University of Nottingham.
2007
Chan, Felicia
(2007)
In Search of a Comparative Poetics: Cultural Translatability in Transnational Chinese Cinemas.
PhD thesis, University of Nottingham.
Smith, Will
(2007)
Re-placing regionalisms: Atlantic Canada in 21st century narratives.
MRes thesis, University of Nottingham.
Willis, Andrew
(2007)
'Violent exchanges : genre, national cinemas and the politics of popular films': case studies in Spanish horror and American martial arts cinema.
PhD thesis, University of Nottingham.
2005
Geraghty, Lincoln
(2005)
Living with Star trek: utopia, community, self-improvement and the Star trek universe.
PhD thesis, University of Nottingham.
Walsh, John
(2005)
A Space and Time Machine: Actuality Cinema in New York City, 1890s to c. 1905.
PhD thesis, University of Nottingham.
2002
Brookes, Ian
(2002)
Coming home: veteran readjustment, postwar conformity and American film narratives, 1945-1948.
PhD thesis, University of Nottingham.
Gregson, Julie
(2002)
Engendering the GDR: DEFA cinema 1956-1966.
PhD thesis, University of Nottingham.
MacDonald, Alex
(2002)
Submarine films as narratives of masculinity.
PhD thesis, University of Nottingham.
2000
Triquell, Ximena
(2000)
Projecting history: a socio-semiotic approach to the representations of the military dictatorship (1976-1983) in the cinematic discourses of Argentine democracy.
PhD thesis, University of Nottingham.
1993
Sonnet, Esther
(1993)
The politics of representation : modernism, feminism, postmodernism.
PhD thesis, University of Nottingham.
This list was generated on Wed Oct 30 04:14:52 2024 UTC.
