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Birch, Liam (2023) The Poles of Jupiter. MRes thesis, University of Nottingham.

Boyle, Alex (2023) Is notation for the Hammond organ a help or a constraint? MRes thesis, University of Nottingham.

Cartwright, Jean Clara C. (2021) Special Project - Performance Pathway MUSI4001 UNUK SUM1 19-20. MRes thesis, University of Nottingham.

Chmielewska, Klaudia Helena (2024) Polish folklore in contemporary composition. MRes thesis, University of Nottingham.

Cockburn, Anne (1979) An edition of the daybook of John Reddish, 1780-1805. MPhil thesis, University of Nottingham.

Crabtree, Jacob (2024) Comparing the vocal techniques of jazz and classical music. MRes thesis, University of Nottingham.

Frost, Amber India (2022) MUSI4016 - Composition Pathway Special Project. MRes thesis, University of Nottingham.

Horner, Kristen (2019) The ‘Take 5 Voices’ of community music – understanding the lived experiences of a UK community choir through phenomenology. MRes thesis, University of Nottingham.

Kay, Thomas (2021) Danzig: composition and critical commentary. MRes thesis, University of Nottingham.

Kenworthy, Jack Luke / JK (2021) Composition Portfolio Commentary. MRes thesis, University of Nottingham.

Kolassa, Alexander (2015) Portfolio of compositions (and accompanying commentary). PhD thesis, University of Nottingham.

Lamb, E. J. G. (2023) Portfolio of compositions. MRes thesis, University of Nottingham.

McGarry, Glenn (2020) Studies of modern music production and the methodical uses of metadata. PhD thesis, University of Nottingham.

Moreno Zayas, Cesar Octavio (2020) Experiencing opera in the contemporary world: theoretical reflections and case studies in Nottingham and London. PhD thesis, University of Nottingham.

Reeve, Brian (2005) Nikolai Rimsky-Korsakov's use of the byliny (Russian oral epic narratives) in his opera Sadko. PhD thesis, University of Nottingham.

Schröder, Laura Odila (2022) Treasonous repertoires: Performing collaboration and musical life in Japanese-occupied Beijing, 1937–1945. PhD thesis, University of Nottingham.

Slater, Angela Elizabeth (2016) A critical and reflective commentary on a portfolio of compositions. PhD thesis, University of Nottingham.

Stafford, T. A. (2023) Negotiating Nashville’s Norms: Women’s Place in Post-9/11 Country Music. MRes thesis, University of Nottingham.

Yates, Kathryn (2016) Musical training as a potential tool for improving speech perception in background noise. PhD thesis, University of Nottingham.