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A

Anania, Valentina (2025) Transmedia authorship as a media industries practice. PhD thesis, University of Nottingham.

B

Blázquez, José M. (2018) Participatory worlds: audience participation in fictional worlds. PhD thesis, University of Nottingham.

D

Dervish Ali, Erdem (2020) Legitimating telefantasy: exploring the value of telefantasy through television history. PhD thesis, University of Nottingham.

G

Gardner, Denise (2017) What were the logistics of adaptation production on British television in the 1980s and 1990s, as demonstrated by Granada's "Sherlock Holmes" series (1984-1994)? MRes thesis, University of Nottingham.

Groom, Elinor (2016) Serving the south: television infrastructures and the development of regionality during the emergence of ITV. PhD thesis, University of Nottingham.

K

Knaus, Julia (2019) Lines of distinction: self-other dynamics within cultural groups. PhD thesis, University of Nottingham.

O

O'Dette, Katarina (2023) Contested genre: locating US fantasy television in genre discourses. PhD thesis, University of Nottingham.

S

Selassie, Dana (2017) Broadcasting in the triangle: negotiating colonial identity and race in Bermuda's emerging media industries. PhD thesis, University of Nottingham.

T

Taylor-Camara, Ayesha (2024) ‘What has the BBC ever done for us?’: ontological security and broadcasting in an online era. PhD thesis, University of Nottingham.

W

Wisher, Emma Lauren (2017) Complex serials and episodic flexi-narratives: narrative extension in the transmedia storytelling of heroes and supernatural. MRes thesis, University of Nottingham.

Z

Zhang, Xiaoran (2022) Online Distribution of English-Language TV in Mainland China. PhD thesis, University of Nottingham.