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2025

Bain, Marina Rose (2025) Pivotal aspects of organology of Stradivarius violins and their contribution to higher formant frequencies. MRes thesis, University of Nottingham.

Wang, Chenxi (2025) Performing the piano works of Maria Szymanowska: considerations of authenticity, history, and gender. PhD thesis, University of Nottingham.

2021

Boaro, Eric (2021) Intermezzo under Hapsburg rule (1707-1734): new theories of composition and musical meaning. PhD thesis, University of Nottingham.

Sarginson, Rebecca L. (2021) Diva over Divine: Towards a Historically Informed Performance of the Sacred Solo Motet in Early-Eighteenth Century Venice. MA(Res) thesis, University of Nottingham.

Tee, Xin Mei (2021) Revisiting Eighteenth-Century Operatic Reform: A Historiographical Study of the Figures and Polemics that Influenced Evolutionary Trends in the Operatic Industry. MRes thesis, University of Nottingham.

2020

Boucher, Daniel (2020) E.T.A. Hoffmann's opera manifesto: romantic philosophy and musical semantics in early German Romantic opera. MRes thesis, University of Nottingham.

2018

Grech, Joseph (2018) Music in nineteenth-century Malta: traditions of composition and performance at the church in Gozo, with a catalogue of works. PhD thesis, University of Nottingham.

Moruzzi, Caterina (2018) Musical stage theory: a novel account for the ontology of musical works and the authenticity of music. PhD thesis, University of Nottingham.

Pollaci, Marco (2018) Pedagogical traditions and compositional theory in late nineteenth-century Italy: the legacy of Italian teaching methods for Giovane Scuola composers. PhD thesis, University of Nottingham.

2017

Upton, Robert John Peter (2017) "Punk goes pop": a post-semiotic theory of gestural transformation as signifier of style, meaning, and authenticity. PhD thesis, University of Nottingham.