Items where Division is "University of Nottingham, UK > Faculty of Arts > School of Humanities > Department of Music"
Number of items at this level: 14. ArticleAdlington, Robert (2016) Whose voices? The fate of Luigi Nono’s 'Voci destroying muros'. Journal of the American Musicological Society, 69 (1). pp. 179-236. ISSN 1547-3848 Baragwanath, Nicholas (2014) Giovanni Battista De Vecchis and the theory of melodic accent from Zarlino to Zingarelli. Music and Letters, 95 (2). pp. 157-182. ISSN 0027-4224 Cooke, Mervyn (2014) Newly published music by Benjamin Britten. Notes: Quarterly Journal of the Music Library Association, 71 (2). pp. 349-352. ISSN 0027-4380 Cormac, Joanne (2019) Intertextuality, subjectivity, and meaning in Liszt’s Deux Polonaises. Musical Quarterly . ISSN 1741-8399 Cormac, Joanne (2017) From satirical piece to commercial product: the mid-Victorian opera burlesque and its bourgeois audience. Journal of the Royal Musical Association, 142 (1). pp. 69-108. ISSN 1471-6933 Hibberd, Sarah (2015) Note from the Guest Editor. 19th-Century Music, 39 (2). pp. 83-86. ISSN 0148-2076 Hibberd, Sarah (2015) Principles of Geology and sensory experience at London's Cyclorama. 19th-Century Music, 39 (2). pp. 167-183. ISSN 0148-2076 Pestova, Xenia (2017) Toy pianos, poor tools: virtuosity and imagination in a limited context. Tempo, 71 (281). pp. 27-38. ISSN 1478-2286 Ó Briain, Lonán (2016) Domesticated noise: the musical reformation of identity in urban Vietnam. Journal of Sonic Studies, 12 . ISSN 2212-6252 Ó Briain, Lonán (2015) Beyond the digital diaspora: YouTube methodologies, online networking, and the Hmong Music Festival. Journal of World Popular Music, 2 (2). ISSN 2052-4919 Book SectionChamberlain, Alan, Bødker, Mads, De Roure, David, Willcox, Pip, Emsley, Iain and Malizia, Alessio (2018) A landscape of design: interaction, interpretation and the development of experimental expressive interfaces. In: Human-Computer Interaction: Theories, Methods, and Human Issues. Lecture Notes in Computer Science (10901). Springer International, pp. 24-34. ISBN 9783319912370 Pestova, Xenia (2017) Approaches to notation in music for piano and live electronics: the performer’s perspective. In: Live-electronic music: composition, performance, study. Routledge Research in Music . Routledge, London, pp. 131-159. ISBN 9781138022607 Thesis (University of Nottingham only)Elless, J. H. (2021) The Spatial, Theatrical Voice. MRes thesis, University of Nottingham. Lamb, E. J. G. (2023) Portfolio of compositions. MRes thesis, University of Nottingham. |
