Items where Division is "University of Nottingham, UK > Faculty of Arts > School of Humanities > Department of History of Art"

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Number of items at this level: 15.


Bradnock, Lucy (2015) 'Criticism at the frontier: Lawrence Alloway at the Movies'. In: Lawrence Alloway: critic and curator. Issues & debates . Getty Research Institute, Los Angeles, pp. 48-68. ISBN 9781606064429

Bradnock, Lucy E. (2019) Lousy Revolutionaries: Fiction, Feminism, and Failure in Ilene Segalove's The Riot Tapes (1984). Oxford Art Journal . ISSN 1741-7287

Bradnock, Lucy E. (2017) Bite your tongue: Antonin Artaud and the Neo-Avant-Garde. In: Delirious: art at the limits of reason 1950-1980. Yale University Press, New Haven, pp. 64-75. ISBN 9781588396334 (In Press)

Bradnock, Lucy E. (2016) In focus Eleanor Antin, Blood of a poet box, 1965-68. Tate Online . (Submitted)

Bradnock, Lucy E. (2012) Walter Hopps's Los Angeles pastoral. Art Journal, 71 (1). pp. 126-136. ISSN 0004-3249


Chang, Ting (2018) "Emile Guimet's Network for Research and Collecting Asian Objects, ca.1877-1918". In: Acquiring cultures: histories of world art on western markets. De Gruyter, Berlin, pp. 209-222. ISBN 9783110545081

Chang, Ting (2016) Crowdsourcing avant la lettre: Henri Cordier and French Sinology, ca. 1875-1925. Esprit Createur, 56 (3). pp. 47-60. ISSN 1931-0234

Chang, Ting (2016) ‘Paris, Japan and modernity: a vexed ratio. In: Is Paris still the capital of the nineteenth century? Essays on art and modernity, 1850-1900. Routledge, Abingdon, Oxon, pp. 153-170. ISBN 9781472460141

Chang, Ting (2016) French sinology and Gustave Caillebotte’s Portrait of Henri Cordier, 1883. In: Work in Progress Seminar, Department of Art History, University College London, paper delivered at UCL on 17 March 2016, UCL, London, UK. (Unpublished)

Chang, Ting (2015) Paris, Japan, and modernity: a vexed ratio. In: Is Paris still the capital of the nineteenth century? Essays on art and modernity, 1850-1900. Ashgate Publishing, Burlington, pp. 1-27. ISBN 9781472460141

Cullen, Fintan (2017) Representing the Irish emigrant: humour to pathos? Visual Culture in Britain, 18 (2). pp. 176-191. ISSN 1941-8361

Cullen, Fintan (2017) Migrating objects: John Henry Foley and empire. In: Artists and migration 1400-1850. Britain, Europe and beyond. Cambridge Scholars Press, Newcastle upon Tyne, pp. 183-195. ISBN (10) 1-4438-9974-7; (13) 978-1-4438-9974-1

Cullen, Fintan (2016) Parliament as theatre: Francis Wheatley's The Irish House of Commons revisited. In: Irish Fine Art in the Early Modern Period: New Perspectives on Artistic Practice, 1620-1820. Irish Academic Press, Newbridge, County Kildare, Ireland, pp. 2-29. ISBN 978-1-911024-35-4 (paperback) and 978-1-911024-27-9 (handback)


Moran, James and Cullen, Fintan (2018) The Sherwood Foresters of 1916: memories and memorials. Irish Studies Review . ISSN 0967-0882


Wrigley, Richard (2016) Unreliable witness: the flaneur as artist and spectator of art in 19th-century Paris. Oxford Art Journal, 39 (2). pp. 267-284. ISSN 1741-7287

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