Restor(y)ing meaning: reading Manoel de Oliveira’s Non ou a Vã Glória de Mandar

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Gonçalves Miranda, Rui (2013) Restor(y)ing meaning: reading Manoel de Oliveira’s Non ou a Vã Glória de Mandar. Hispanic Research Journal, 14 (1). pp. 49-66. ISSN 1468-2737

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Abstract

Manoel de Oliveira’s Non ou a Vã Glória de Mandar (1990) is a landmark in Lusophone cinema’s revisitation of the history of Portuguese expansion and colonial conflicts. This article aims at analysing the film’s political import by extrapolating from Jacques Rancière’s meditation on the ‘aesthetic regime’ and from Manoel de Oliveira’s references to Derridean deconstruction. Non and Oliveira’s filming praxis both exceed and disrupt the filmmaker’s personal logocentric and teleological theories of history and cinema.

Item Type: Article
RIS ID: https://nottingham-repository.worktribe.com/output/719520
Additional Information: This is an Accepted Manuscript of an article published by Taylor & Francis in Hispanic Research Journal on 12 November 2013, available online: http://www.tandfonline.com/doi/abs/10.1179/1468273712Z.00000000033
Keywords: Manoel de Oliveira, Portuguese Cinema, Colonial Wars, Aesthetics and Politics, Deconstruction, Jacques Rancière, Jacques Derrida
Schools/Departments: University of Nottingham, UK > Faculty of Arts > School of Cultures, Languages and Area Studies > Department of Spanish, Portuguese and Latin American Studies
Identification Number: https://doi.org/10.1179/1468273712Z.00000000033
Depositing User: Miranda, Rui
Date Deposited: 03 Mar 2016 09:28
Last Modified: 04 May 2020 16:39
URI: https://eprints.nottingham.ac.uk/id/eprint/32092

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