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Blázquez, José M. (2018) Participatory worlds: audience participation in fictional worlds. PhD thesis, University of Nottingham.

Dervish Ali, Erdem (2020) Legitimating telefantasy: exploring the value of telefantasy through television history. PhD thesis, University of Nottingham.

Gardner, Denise (2017) What were the logistics of adaptation production on British television in the 1980s and 1990s, as demonstrated by Granada's "Sherlock Holmes" series (1984-1994)? MRes thesis, University of Nottingham.

Groom, Elinor (2016) Serving the south: television infrastructures and the development of regionality during the emergence of ITV. PhD thesis, University of Nottingham.

Knaus, Julia (2019) Lines of distinction: self-other dynamics within cultural groups. PhD thesis, University of Nottingham.

O'Dette, Katarina (2023) Contested genre: locating US fantasy television in genre discourses. PhD thesis, University of Nottingham.

Selassie, Dana (2017) Broadcasting in the triangle: negotiating colonial identity and race in Bermuda's emerging media industries. PhD thesis, University of Nottingham.

Taylor-Camara, Ayesha (2024) ‘What has the BBC ever done for us?’: ontological security and broadcasting in an online era. PhD thesis, University of Nottingham.

Wisher, Emma Lauren (2017) Complex serials and episodic flexi-narratives: narrative extension in the transmedia storytelling of heroes and supernatural. MRes thesis, University of Nottingham.

Zhang, Xiaoran (2022) Online Distribution of English-Language TV in Mainland China. PhD thesis, University of Nottingham.