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Bird, Victoria Anne (2023) 1 Corinthians 14:34-35: The Words of Paul or a Later Addition? MRes thesis, University of Nottingham.

Brown, Rosslyn (2020) Abstraction and illumination: the sublime and Kabbalistic creation motifs in the artworks of Barnett Newman and Mark Rothko. MRes thesis, University of Nottingham.

Egan, Joseph (2024) How can Christian ideology re-shape jam sessions to enable participants to experience Christian freedom? MRes thesis, University of Nottingham.

Eklund, Erik (2023) A Triptych of Bottomless Light: Repetition, Identity and Transcendence in Vladimir Nabokov’s Pale Fire. PhD thesis, University of Nottingham.

Gardiner, Karen (2023) A New Evaluation: The Theological Influence of F. D. Maurice on the Imaginative Works of Lewis Carroll. PhD thesis, University of Nottingham.

Garland, Kate E. (2018) 'Man is not truly one, but truly two': a positive reading of Robert Louis Stevenson's double. MRes thesis, University of Nottingham.

Holt, Sarah G. (2024) Uncovering the naked: the economic dimension of nakedness in the Hebrew Bible and the innovations of Isaiah 58. PhD thesis, University of Nottingham.

Lyell, Ellena (2021) Chromatic dialogues: colour and culture in Homer, Herodotus and the Hebrew Bible. PhD thesis, University of Nottingham.

Shokhikyan, Arman (2023) The Making of the Armenian Eucharistic Rite: Mapping the Liturgical Discourse. PhD thesis, University of Nottingham.

Stevens, Charlotte (2021) Exiting Eden: an exploration of the evolution of humanity’s conception of divine disposition and its impact on the Earth. MRes thesis, University of Nottingham.

Thornhill, Christopher John (2017) Trying the stuff of creation: biblicism, tragedy, and romance in the southern fiction of Cormac McCarthy. PhD thesis, University of Nottingham.

Wiedemann Hunt, Margaret (2017) 'The dogma is the drama': participation and sacramentality in the plays of Dorothy L. Sayers. PhD thesis, University of Nottingham.