Number of items: 8.
2021
Boaro, Eric
(2021)
Intermezzo under Hapsburg rule (1707-1734): new theories of composition and musical meaning.
PhD thesis, University of Nottingham.
Sarginson, Rebecca L.
(2021)
Diva over Divine: Towards a Historically Informed Performance of the Sacred Solo Motet in Early-Eighteenth Century Venice.
MA(Res) thesis, University of Nottingham.
Tee, Xin Mei
(2021)
Revisiting Eighteenth-Century Operatic Reform:
A Historiographical Study of the Figures and Polemics that Influenced Evolutionary Trends in the Operatic Industry.
MRes thesis, University of Nottingham.
2020
Boucher, Daniel
(2020)
E.T.A. Hoffmann's opera manifesto: romantic philosophy and musical semantics in early German Romantic opera.
MRes thesis, University of Nottingham.
2018
Grech, Joseph
(2018)
Music in nineteenth-century Malta: traditions of composition and performance at the church in Gozo, with a catalogue of works.
PhD thesis, University of Nottingham.
Moruzzi, Caterina
(2018)
Musical stage theory: a novel account for the ontology of musical works and the authenticity of music.
PhD thesis, University of Nottingham.
Pollaci, Marco
(2018)
Pedagogical traditions and compositional theory in late nineteenth-century Italy: the legacy of Italian teaching methods for Giovane Scuola composers.
PhD thesis, University of Nottingham.
2017
Upton, Robert John Peter
(2017)
"Punk goes pop": a post-semiotic theory of gestural transformation as signifier of style, meaning, and authenticity.
PhD thesis, University of Nottingham.
This list was generated on Thu Nov 28 07:07:55 2024 UTC.
