Number of items at this level: 66.
2024
Chmielewska, Klaudia Helena
(2024)
Polish folklore in contemporary composition.
MRes thesis, University of Nottingham.
Crabtree, Jacob
(2024)
Comparing the vocal techniques of jazz and classical music.
MRes thesis, University of Nottingham.
Cundell, Tomasz Adam
(2024)
Patterns And Recurring Themes In The Music Of John Carpenter.
MRes thesis, University of Nottingham.
Grimes, Sam
(2024)
Choral music in the 21st century.
MRes thesis, University of Nottingham.
Lu, Xiaoxiao
(2024)
"What happened? I played three notes and had 600,000 likes": rising Internet celebrities in China's digital music industry.
PhD thesis, University of Nottingham.
Maloney, Hugh B J
(2024)
Ennio Morricone's Film Music in the Western Genre.
PhD thesis, University of Nottingham.
Waters, Bryony
(2024)
Development and Evaluation of the Person Attuned Musical Interaction (PAMI) in dementia manual- UK version.
PhD thesis, University of Nottingham.
2023
Dickens, Amy
(2023)
Digital Musical Instruments, Accessibility, and Facilitated Performance.
PhD thesis, University of Nottingham.
Embourne, Oliver
(2023)
'A Duel or a Date?': an Examination of queer male Eroticism in Gaetano Donizetti’s Lucia di Lammermoor (1835) and Giuseppe Verdi’s La Forza del Destino (1865).
MRes thesis, University of Nottingham.
Lin, Suyun
(2023)
Performing classical music in atypical venues.
MRes thesis, University of Nottingham.
Lisi, Claire. M.
(2023)
Music as emotive transmission in the human-pet dog bond.
MRes thesis, University of Nottingham.
2022
Frost, Amber India
(2022)
MUSI4016 - Composition Pathway Special Project.
MRes thesis, University of Nottingham.
James, Alex
(2022)
What does it mean to follow? Movements in harmolodic space.
PhD thesis, University of Nottingham.
Sanders, Thomas
(2022)
The Place of British Electronic Dance Music.
MRes thesis, University of Nottingham.
2021
Auker, Peter Leslie Roy
(2021)
Their Dreams and Ours: Britten, Film, and 'The Turn of the Screw'.
PhD thesis, University of Nottingham.
Boaro, Eric
(2021)
Intermezzo under Hapsburg rule (1707-1734): new theories of composition and musical meaning.
PhD thesis, University of Nottingham.
Elless, J. H.
(2021)
The Spatial, Theatrical Voice.
MRes thesis, University of Nottingham.
Kenworthy, Jack Luke / JK
(2021)
Composition Portfolio Commentary.
MRes thesis, University of Nottingham.
Knight, James
(2021)
The trap game: neoliberal governmentalities and the origins of Southern hip-hop.
MRes thesis, University of Nottingham.
Morris, Elizabeth
(2021)
Music in dementia care: a review of interactive and receptive musical activities.
MRes thesis, University of Nottingham.
Sarginson, Rebecca L.
(2021)
Diva over Divine: Towards a Historically Informed Performance of the Sacred Solo Motet in Early-Eighteenth Century Venice.
MA(Res) thesis, University of Nottingham.
Tee, Xin Mei
(2021)
Revisiting Eighteenth-Century Operatic Reform:
A Historiographical Study of the Figures and Polemics that Influenced Evolutionary Trends in the Operatic Industry.
MRes thesis, University of Nottingham.
2020
Boucher, Daniel
(2020)
E.T.A. Hoffmann's opera manifesto: romantic philosophy and musical semantics in early German Romantic opera.
MRes thesis, University of Nottingham.
Bradshaw-Hughes, Matthew
(2020)
'Got my own world to live through': race and categorisation in Jimi Hendrix's music.
MRes thesis, University of Nottingham.
Clarke, Anna
(2020)
Supporting pro-amateur composers using digital audio workstations.
PhD thesis, University of Nottingham.
Dowson, Elizabeth Rebecca Mary
(2020)
Expanding access to group singing for people with dementia: implications of music therapy skill sharing for research and practice.
PhD thesis, University of Nottingham.
2019
Chen, Z.T.
(2019)
China’s music industry unplugged: Business models, copyright and social entrepreneurship in the online platform economy.
PhD thesis, University of Nottingham.
Doxat-Pratt, Sarah
(2019)
Changing the record: reassessing effectiveness and value in prison music projects.
PhD thesis, University of Nottingham.
Farrell-Griffiths, Naomi
(2019)
Film in biography form: the use of pre-existing classical music in the composer biopic.
MA(Res) thesis, University of Nottingham.
Greig, Donald
(2019)
Voices Appeared: Carl Theodor Dreyer’s La Passion de Jeanne d’Arc and early fifteenth-century music: live music, silent film and vocal performance practices.
PhD thesis, University of Nottingham.
Mohamad Haris, Mohamad Fitri
(2019)
Making Islamic popular music in Malaysia, 1996-2016.
PhD thesis, University of Nottingham.
Pickard, Hannah
(2019)
Individual differences and emotion regulation through music.
MA(Res) thesis, University of Nottingham.
Pickering, Joshua Osoro
(2019)
East Ends: race, place and community in the story of the emergence of Grime music.
MRes thesis, University of Nottingham.
Slater, Russell John
(2019)
Que Nordeste é Este? Manguebeat, Intellectuals and Popular Music in the Making of the Brazilian Nordeste.
MA(Res) thesis, University of Nottingham.
2018
Boast, Philip James
(2018)
Rhythm and temporality: a phenomenological examination of music performance.
PhD thesis, University of Nottingham.
Gagatsis, Alexander Christos
(2018)
Jazz improvisation as situated cognition: historical and analytical perspectives on the music of Milt Jackson.
PhD thesis, University of Nottingham.
Grech, Joseph
(2018)
Music in nineteenth-century Malta: traditions of composition and performance at the church in Gozo, with a catalogue of works.
PhD thesis, University of Nottingham.
Hazle, Dawn
(2018)
Delusions of grandeur? Aria and the development of Soviet metal music.
MA(Res) thesis, University of Nottingham.
Moruzzi, Caterina
(2018)
Musical stage theory: a novel account for the ontology of musical works and the authenticity of music.
PhD thesis, University of Nottingham.
Pollaci, Marco
(2018)
Pedagogical traditions and compositional theory in late nineteenth-century Italy: the legacy of Italian teaching methods for Giovane Scuola composers.
PhD thesis, University of Nottingham.
2017
Macgregor, Anne
(2017)
Portrayals of identity in the romanser and reception of Ture Rangström.
PhD thesis, University of Nottingham.
Murphy, Michaela
(2017)
"Lost in the noise": DIY amateur music practice in a digital age.
PhD thesis, University of Nottingham.
Smith, Neil T.
(2017)
The persistence of modernism in the music and thought of Mathias Spahlinger.
PhD thesis, University of Nottingham.
Upton, Robert John Peter
(2017)
"Punk goes pop": a post-semiotic theory of gestural transformation as signifier of style, meaning, and authenticity.
PhD thesis, University of Nottingham.
2016
Johnson, Daniel
(2016)
The sweet singer of Israel: Isaac Watts and the developing hermeneutic of nonconformist psalmody.
MRes thesis, University of Nottingham.
Pepe, Paulo
(2016)
Do pop ao teatro de rua: revoluções ibéricas de género em António Variações e José Pérez Ocaña.
PhD thesis, University of Nottingham.
Wong, Wendy H.W.
(2016)
Paul Wittgenstein in Great Britain.
PhD thesis, University of Nottingham.
2015
Gothelf, Jasmine
(2015)
Check The Rhime!: Hip Hop as a continuation of the African American protest tradition, from David Walker’s Appeal
(1829) to Kendrick Lamar’s “The Blacker the Berry”(2015).
MRes thesis, University of Nottingham.
2014
Cook, James Matthew
(2014)
Mid-fifteenth-century English mass cycles in continental sources.
PhD thesis, University of Nottingham.
Pan, Li-Ming
(2014)
The image and social status of female musicians in Taiwan.
PhD thesis, University of Nottingham.
2012
Kang, Angela
(2012)
Musical chinoiserie.
PhD thesis, University of Nottingham.
Williams, Katherine A.
(2012)
Valuing jazz: cross-cultural comparisons of the classical influence in jazz.
PhD thesis, University of Nottingham.
Wuttipong, N.
(2012)
The Thai popular music industry: industrial form and musical design.
PhD thesis, University of Nottingham.
2011
Ford, Fiona
(2011)
The film music of Edmund Meisel (1894–1930).
PhD thesis, University of Nottingham.
Lessa, Ana C.
(2011)
Brazil: "Que país é esse"? : music and power in Legião Urbana.
PhD thesis, University of Nottingham.
Wang, Juan
(2011)
Classical music policy and practise in a British city.
PhD thesis, University of Nottingham.
2010
Butler, Jan
(2010)
Record production and the construction of authenticity in the Beach Boys and late-sixties American rock.
PhD thesis, University of Nottingham.
Mazman, Alper
(2010)
Jazz talks: representations & self-representations of African American music and its musicians from bebop to free jazz.
PhD thesis, University of Nottingham.
Shephard, Tim
(2010)
Alfonso I d'Este: music and identity in Ferrara.
PhD thesis, University of Nottingham.
Williams, Justin A.
(2010)
Musical borrowing in hip-hop music: theoretical frameworks and case studies.
PhD thesis, University of Nottingham.
2008
Audus, Mark
(2008)
The 1904 version of Leos Jancek's Jenufa: sources, reconstruction, commentary.
PhD thesis, University of Nottingham.
Chambers, Carol
(2008)
Song and metaphoric imagery in forensic music therapy.
PhD thesis, University of Nottingham.
2007
Cochrane, Thomas
(2007)
Shared Emotions in Music.
PhD thesis, University of Nottingham.
2000
Olleson, Philip
(2000)
The letters of Samuel Wesley: social and professional correspondence, 1797-1837.
PhD thesis, University of Nottingham.
1998
Leigh, Martin
(1998)
Grundgestalt, multi-piece, and intertextuality in Brahams's opp. 117, 118, and 119.
PhD thesis, University of Nottingham.
1962
Ruff, Lillian M.
(1962)
The 17th century English music theorists.
PhD thesis, University of Nottingham.
This list was generated on Thu Nov 21 22:38:54 2024 UTC.
