The art and ‘science’ of opera: composing, staging & designing new forms of interactive theatrical performance

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Chamberlain, Alan, Kallionpää, Maria and Benford, Steve (2017) The art and ‘science’ of opera: composing, staging & designing new forms of interactive theatrical performance. In: DMRN+12: Digital Music Research Network, Tuesday 19th December 2017, London, UK.

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Abstract

New technologies, such as Virtual Reality (VR), Robotics and Artificial Intelligence (AI) are steadily having an impact upon the world of opera. The evolving use of performance-based software such as Ableton Live and Max/MSP has created new and exciting compositional techniques that intertwine theatrical and musical performance. This poster presents some initial work on the development of an opera using such technologies that is being composed by Kallionpää and Chamberlain.

Item Type: Conference or Workshop Item (Poster)
RIS ID: https://nottingham-repository.worktribe.com/output/901172
Additional Information: Published in: DMRN+12: Digital Music Research Network One-Day Workshop 2017, Tuesday 19th December 2017. Centre for Digital Music, Queen Mary University of London.
Keywords: Opera, autonomous, systems, design, performance, HCI, Chi, Composition, Virtual Reality, VR, Music
Schools/Departments: University of Nottingham, UK > Faculty of Science > School of Computer Science
Related URLs:
URLURL Type
http://c4dm.eecs.qmul.ac.uk/dmrn/UNSPECIFIED
Depositing User: Chamberlain, Dr Alan
Date Deposited: 06 Dec 2017 11:04
Last Modified: 04 May 2020 19:23
URI: https://eprints.nottingham.ac.uk/id/eprint/48514

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